Prokhanov Alexander Andreevich Biography


Alexander Prokhanov Russian writer, editor -in -chief of the newspaper “Tomorrow” Alexander Andreevich Prokhanov, a famous Soviet and Russian writer. Alexander Andreevich - political and public figure. He is a member of the Secretariat of the Union of Writers of Russia. The editor -in -chief of the newspaper Tomorrow. Laureate of the Lenin Komsomol Prize, as reported in the biography of Alexander Prokhanov on Wikipedia, his ancestors, Molokans, left the Tambov region and the Saratov province in Transcaucasia.

Uncle A. Prokhanov was repressed, but then released. In the year, giving an interview with the “Russian messenger”, Alexander Andreevich Prokhanov talked about his childhood: “... Born on February 26, 38 years, three weeks later returned to Moscow, where my parents lived. We went to give birth to Tiflis, because it is a generic city of my ancestor prayer. There were Molokan settlements, and my grandmother decided that I needed to give birth to warmth, and not in a fierce February Moscow.

There I was born in a house that belonged to my great-grandfather Titus Alekseevich Fefelov, who he bought, having gone by a lot of Georgian on the military road, where he was a coachman-drove three, held pits. There he literally went down from the mountains - from Molokan villages, from Ivanovka - and sat on the irradiation. And then there were continuous Russian-Turkish wars, and all the time it was necessary to transport fodder, officers, all kinds of letters, deputies.

Once he rushed him, and so cleverly funny on the way - I don’t know what: maybe he sang songs or told all sorts of stories - that when he caught up with his three to Tiflis, the Grand Duke gave him a ring: an emerald surrounded by small diamonds. This ring is still in my family: this is my family relic.

Prokhanov Alexander Andreevich Biography

” It was built on the site of a huge cemetery at the monastery, which was called "all mourning joy", or a mournful monastery. When we planted wood, dug pits on our territory, suddenly fell into crypts, to the graves, and skeletons were on us from these graves: some with golden crowns, there were bureaucratic buttons with eagles and sometimes even an order. And once, in my opinion, in the seventh grade, building a football field and pulling out holes for the gate-for the rods, we found the skull and, having taken it, we naturally decided to play football.

And we drove this skull with screams and ahas, and then it went somewhere. It seems that they again burst into the hole where this bar was driven. And, probably, this was not so, probably, it was a different skull, and maybe the same. And maybe I chased the skull of our mysticism Nikolai Fedorov to football with a seven -grader, whose teaching I took very sharply and still consider myself his student.

All this Russian cosmism in his development is associated with Fedorov for me - with his idea of ​​resurrection from the dead, with the Fedorov teaching about cemeteries. And so I peculiarly took the doctrine of cemeteries. Thus, I probably “tried to resurrect” Fedorov. And he excuses me, because the rest of the time under this moon I devoted to the idea of ​​overcoming death - resurrection, whether it be countries, era, era, dear people, neighboring, objects, books and texts.

After school, Alexander Prokhanov entered the Moscow Aviation Institute, which he graduated from the year. But having worked for two years as an engineer, Alexander felt that this lesson was not for him. Two years - from software - Alexander Andreevich was a forester in Karelia, took excursions to Khibiny and participated in excavations in Tuva. Then he met the work of Vladimir Nabokov and Andrei Platonov.

According to Prokhanov, humanitarian energies "roamed in it. Having changed his life abruptly, Alexander Andreevich believes that it was a “radical” act: “In my life, such an act was repeated, maybe only one more time - during the perestroika period, when I chose such a radical total opposition to Gorbachev and broke all previous relations. Twice I broke my life in this way. ” The career of Alexander Prokhanov in journalism returning to civilization, Alexander Andreevich Prokhanov, as he said, felt half a dissident.

He visited esoteric circles, which were actually in a total confrontation with reality, with the formation of the state. Alexander Prokhanov began to be published in the year, stories and essays were published in Literary Russia, Circular, Change, Family and School, Rural Youth. Since the year, Prokhanov began working in the newspaper Literary Russia on an ongoing basis and almost immediately a young journalist was sent to Damansky Island.

The biography of Alexander Prokhanov says that he first described in the report of the events in Damansky during the Soviet-Chinese border conflict in the report. Alexander Andreyevich Prokhanov recalled how he was shocked by such sudden changes in his life: “... Daman battle made me rethink everything: history, my role. Then I first felt the greatness and tragedy of the state. Then they talked about the possible large war of the Soviet Union and China.

And I got into this iron stream of state ideology.Then, for many years, he was worn by factories, construction, mines from the North Pole to the South, then saddled the Soviet atomic triad: boats in boats in the Antarctic, flights over the pole, barracking with mobile missile systems, and a semipalatinsk explosion. Then - multiple trips to Afghanistan.

The hot spots, almost all the wars that the Red Empire waged before the mouth, were my wars. Then these wars were somehow completely logically flowing into wars in my country. And also almost everything: Karabakh, Transnistria, Abkhazia. All these countless dramas, these two revolutions: one revolution of the year, or the counter -revolution, and the uprising of the year, two Chechen wars - and so I reached these days - I don’t know when they will break.

I live such a frantic life. ” Since the year, Alexander Andreevich was actively published in the magazines “Young Guard”, “Our Contemporary”, as well as in the “Literary Newspaper”. From for the year, Prokhanov worked as the editor -in -chief of the magazine "Soviet Literature". He was a member of the editorial board of the magazine "Soviet Warrior". He was not in the CPSU.

In the year, Alexander Andreevich Prokhanov was the editor -in -chief of his own newspaper "Day". The parish of Alexander Prokhanov in politics when in the year Alexander Prokhanov saw that his state was personified by Gorbachev, he tore with him radically and became a politician, publishing a sharp anti -reconstructing article “The Tragedy of Centralism”. Around Alexander Prokhanov, as he said, "the vortex spun - both hostile and friendly, and this made me a different person." In December, Alexander Andreevich Prokhanov created the newspaper "Day", became its editor -in -chief.

The newspaper "Day" was one of the most radical opposition editions of Russia in the early 10ths, but was banned by the Ministry of Justice after the October events of the year. In July, Vladimir Putin issued a decree in which he approved the members of the Council on Public Television. Prokhanov was included in its composition. Alexander Andreevich Prokhanov - Chairman and one of the founders of the Izborsky Club - a community of experts studying the domestic and foreign policy of Russia.

Alexander Prokhanov, a member of the Public Council under the Ministry of Defense of the Russian Federation, is also the deputy chairman of this council. Alexander Andreevich became a co-founder of the Olesya Buzina International Literary and Meading Prize. Prokhanov dedicated its problems the book “Inexpressible Color” in the beginning of the 10ths, Prokhanov published a number of stories: “Tin bird”, “Red juice in the snow”, “Two”, “Stan”, “Trans -Siberian driver” - “Fiery Fighting” in the year, the second collection of stories and stories of Alexander Prokhanov “Golts the grass” in the year.

In the year, the first novel of the writer Prokhanov was published “The Nominable Rose”, dedicated to his impressions from trips to the Far East and Siberia. Then the books of Alexander Prokhanov were published: “The Time is Half”, “The Place of Action” and “The Eternal City” based on the novel by Alexander Prokhanov of the same name by director Anatoly Granik, a two-part feature film “Lenfilm” film studio was shot.

In the beginning of the 10ths, Alexander Andreevich Prokhanov turned to the genre of the military-political novel, wrote the novels: “A tree in the center of Kabul”, “In the islands of a hunter ...”, “Africanist”, “And now the wind comes”, also in the years, the novels of Prokhanov, “Admiral”, “Lighty Lazuri”, “The sign of the Virgin” and others came out. The theme of Afghanistan is reflected in the novels “Drawings of the Batalist” and “Six hundred years after the battle” among the noticeable stories and short stories and short stories of the Soviet period at Alexander Prokhanov distinguish the following works: “Polina”, “Unpretable wheat”, “On the lunar ray”, “Snow and coal” - everything - gray -haired soldiers, “gunsmith”, “caravan”, “relatives”, “relatives”, “relatives”, “relatives”, “relatives”, “relatives” "Muslim wedding", "Kondagar outpost" everything - and others.

For the story "Muslim Wedding", Prokhanov received a prize. Prokhanov is the only retransalator preserved in the empire that can textually convey this power ”Leo Danilkin. Thanks to Prokhanov, not only me, but also Mikhail Elizarov, Sergey Shargunov and other writers with the views of the left sense, received a ticket to literature. ” The main character of these books is the General of the Belosel, who has a unique experience of vision and contemplation.

In the year, Alexander Prokhanov’s books “Putin we believed in” and “Russian” were published. In the year, the writer published “The Take of the Russian Victory”, which indicated the appearance of a new genre in the creative biography of Prokhanov. In the year, the author wrote the novel "Crimea". The hero of the book of Alexander Prokhanov is identified with the new life of the peninsula, which began at the Crimea after joining Russia.

In the year, the book "Novorossia, washed with blood, was published. The novel has become a kind of chronicle of the latest events in the country. In February, Ukraine published a list of books prohibited for import from Russia. It was a novel by Prokhanov "Novorossia, washed with blood." In the year, the new books of Prokhanov “Russian Stone” and “Kill Hummingbirds” were published.According to the scenarios and works of Prokhanov, films were set: “For everything paid”, “Shuravi”, “The Gorge of Spirits”, “Caravans Hunters”, “Murder of Cities” Alexander Andreevich Prokhanov - Laureate of many literary prizes: “Bunin Prize”, the N.

Leskova All -Russian Literary Prize, and the White Cranes of Russia with the “The White Cranes of Russia”. The wording “For contribution to Russian world literature” and others. The style of the writer Prokhanov is called original, colorful, emphasized by individual. The language of Prokhanov, as many critics believe, is replete with bright metaphors, original, flowering epithets, the characters were written convexly, clearly, with an abundance of details, the description itself has a pronounced emotional and even passionate coloring, the author’s attitude to one or another character is clearly traced.

According to the writer Yuri Polyakov, Prokhanov is perceived only as the editor -in -chief of the newspaper “Tomorrow”, but according to the aesthetics, Alexander Prokhanov is a postmodernist, and in the direction, in ideology, an imperial writer, and this is a rather rare combination. The first time a year, when my country died, I experienced horror, not fear, but horror.

Well, we feel fear in general ... Here you go, slippery, do not fall ... But such a mystical, pitch, universal horror, when everything was shouted in me and my eyes fell out of the eye sockets - this is in the year. And the second time, of course, in the year, when everything died, and it seemed to me that it was not people in black uniforms, in masks, but demons, ”said Alexander Prokhanov in an interview with Sergey Shargunov in the“ free press ”.

I have such a long slippery scaled tail, and such a pink stigma, sniffing everything, and such white gray mustache, and such a very acute prickly mouth with incisors. And this rat rises all the firmament. She gnaws everything, gnaws and pulls somewhere move.