Dario Ph.D.

Dario For Ital. Dario Fo, kind. Dario Ce is called the Pajaca. By the power of influence on the audience, compared with Savonarola. The plays for a long time and have long been on the scenes of theaters of all continents. The news of the award in the city of the Dario of the Nobel Prize has split the public opinion of Italy and, as everything that has been related to FRO, caused a storm - enthusiasm, on the one hand, and indignation, on the other.

Graduates of democratic and left orientation immediately responded with large and friendly reports dedicated to the PHO. The bourgeois conservative press seemed discouraged. And it is not surprising: the hateful and despised jester was so exalted in the eyes of the whole world. And although Dario For was not a member of the Communist Party from it, he came out many years ago, his wife, in connection with the award of the award, uttered a phrase, which many newspapers were published then: “There is God, and He is a communist!

The independent, bold civil position of the FOR, his sharp plays-pharses, frank criticism of the bourgeois society, the ruling class and individuals standing in power-all this always caused the resistance and response actions of his enemies. With all the possible means of Dario, they sought to intimidate and force to shut up. He was poisoned in the newspapers, arrested, he was forbidden to play performances, torn them, attacked the streets, abducted his wife for many years forbidden to enter the United States.

Dario Fer was forced to go through 47 trials. However, all repressive measures were in vain. According to one of the influential Italian critics, FO "always had the honesty that makes a person openly declare his position." He remained faithful to himself, his comrades and his art. Dario For is one of the most striking and talented representatives of the Political Theater, which in the years experienced its heyday in the West countries.

All his work is imbued with the pathos of human protection in a bourgeois society. The art is democratic and optimistic in nature. He believes that the world can and should be changed, and also believes in the great converting power of art. The Dario Ceater Theater exists in the indissoluble unity of the author and the performer, and only in this unity can it be considered and perceived.

He writes, plays and puts his comedies, and is also an artist of his performances. They have written about seventy plays for the theater. Some are playing plays in the style of agitprop mainly about the struggle of the proletariat against capital. Others are actually comedies with a fictional and entertaining plot. His most famous works, which are more often performed by theaters of the world, include “Archangels do not play flipper” in the Russian translation “Do not play with the archangles”, “Isabella, three caravels and talkers”, “Seventh commandment”, “Random death of anarchist”, “Mystery-buff”, “There is no need to pay,“ no need ”,“ free couple ”and free pair” and free pair ”and free pair” and free pair ”and free pair, Dr.

Dario Cop was born in the year in northern Italy, in the province of Vareze, not far from the Swiss border. He was the son of a railwayman and a peasant woman. The ideals of anti -fascism, which lived by the Feliche Friline family, an active participant in resistance, secretary of the local branch of the Socialist Party, had a strong impact on the formation of the worldview of the future actor and playwright.

Remembering those years, Dario Ca always emphasized this. Among the Pri Alpine lakes, where the children's and youthful years Dario Form passed, there has long been a local tradition of theatrical culture, rooted in the distant past - the art of folk storytellers or storytellers Fabulatori. They wandered around the cities and villages, showing their performances in the squares - telling their strange stories, full of grotesque mixing of fantastic and real, hyperbole and paradoxes.

A very special world was born in their stories, in which everything was the other way around: the priests confessed to the children, husbands obeyed their wives, and the peasants punished their owners with the scraps of their owners. Often in the stories, genuine events from the life of a village were also affected. They told in their own way and various stories from the Holy Scriptures.

The story has always been at the first person as if the performer personally attended the described events. Such a folk storyteller was the grandfather from the side of the mother - a man gifted with a sharp mind and bright fantasy. The art of storytellers, according to FOR himself, had a decisive impact on his work. The artistry of the storytellers, the originality of their theater, in which the gesture and facial expressions were given great importance, their ability to easily move from the image to the image, at the same time be several characters, to captivate and force to empathize-all this will be continued in the Dario Form Theater, in its legendary Mysteria-Buff.

In the early years, Dario was passionately fond of drawing and modeling. The desire to become an artist for a boy from the working environment was unusual and almost unrealistic at that time.But his mother always supported her son in all his hobbies: she adored him, believed that he was gifted with a rare talent and for his family should make sacrifices.

Immediately after the war, the COMA becomes a student of the faculty of scenography of the Milan Academy Brera and begins to study architecture at the Polytechnic Institute, he is engaged in self-education, acquainted with the largest figures of the Italian culture of that time, with non -oreal artists. The end of the X and the beginning of the 10ths in Italy is the heyday of Variet.

Dario Cop makes his first steps in the theater in this genre. The famous Italian actor Franco Parenti invited him to participate in the performance of "Seven days in Milan." And Dario Ca immediately attracted the attention of theatrical criticism. After the success of the performance, he abruptly changes his life: he decides to leave the university, refuses the intention to become an architect and devotes himself entirely to the theater.

Soon in Milan, the pop theater "Parenti - Forean" begins to perform in Milan. Dario Cop was faced with the growth of popularity of his work on the radio starting from the year, where he performed with small author's monologues-improvisations. In terms of content and style, it was very similar to what the storytellers did in the places of the Italian North for him. Experience on the radio was very useful for a young beginner actor who at that time had just developed his manner.

The initial period of work of Dario For - the years of teaching - ends with his play “A finger in the eye” played by the theater “Parenti - Fores - Dupilo”. The comedy “finger in the eye” is the first serious work of Dario Ca in the theater. From the very first moments, the performance struck the audience and was perceived as a challenge, as an antivary.

Its design was very simple, everything was focused on the game of actors and on the text containing an acute satire on a bourgeois society and the ruling party of Christian democrats. The performance was a deafening success and was three months in a row with a constant full house. During the work on the play, Dario Ca got acquainted with the French mime and director Jean Lecok, who dedicated him to some secrets of his acting.

After working with Lekok, Dario For is not just an “actor of spontaneous talent”, but a real professional who has mastered the technique that will have been improving all his life since then. In the year, when he devoted himself completely to the political theater, he divorced his teacher in his views on art. Polemicing with Leccum, Com claimed that comic could not be the ultimate goal, that a truly folk comic theater should contain elements of social satire.

In the year there is an important event in the life of FOR: he meets Frank Rama, a very beautiful young actress who soon becomes his wife. Their union has been going on for more than forty years. They were colleagues, comrades in the fight, like -minded people always, even in the most difficult times of persecution and persecution. Dario Ceo carried a gentle romantic feeling for his wife through his whole life.

And not only because all these years she morally supported me. With another woman, I could not do everything that I did. And in professional terms it is indispensable. ” Frank Rama comes from a family of hereditary stray actors. The archive of this family contained a large collection of ancient texts and scenarios, which were also used by comedians of the mask theater. Dario Ca subsequently widely used this unique material, creating his comedies.

He creates a comedy with which, in essence, his great drama begins. At the same time, he opens his own theater, which officially began to be called "Theater Dario Frank Rama." The nuclear of the new troupe was the family, and its first actor, chapter, playwright, director and sceno - Dario For. The new theater made his debut with a trekhant play "Archangels do not play a flipper." The performance was the event of the season.

Fars is a tool for correcting morals for him. ” The first version of the play was still similar to the script. The text of the play with all the now known remarks and remarks appeared much later, after rehearsals, public runs and a whole series of performances. The impetus for the creation of this comedy, as well as other plays of those years, served as the Materials of the Chronicle that struck Dario, in which, according to him, “the contradictions and paradoxes of the state of Christian democrats” were manifested.

The core of the plot is a mistake committed by officials of the municipality, the essence of which is that the person was registered as a dog. This becomes a source of many paradoxical situations and satires on a bureaucratic state. In a phase form, in a grotesque way, the forde shows the modern world, its absurdity and inertness.

The characters of the play are modern people, the plot is built according to the laws of the detective genre, but everything here is permeated with a lively connection with the Italian folk comedy. Gradually, in the process of working on new plays and new performances, the features characteristic of Dario were formed, his theater, his aesthetics were born. The art of the Italian master is deeply connected with the national tradition - comedy del arte.

A large role in his theater is played by improvisation. However, not the entire text is improvised. Most are repeated from the performance to the performance unchanged, especially those places to which the author attaches paramount importance. The phras widely uses dialects mainly the northern dialects of Lombardii, Veneto and the Poe River Valley. Like the comedians of the Mask Theater, on the stage of Dario Caulo, it often resorts to the gramlo Gram-Melot-the onomatopoeic language, when only rare words are understandable, but the general meaning becomes clear with the help of facial expressions and gestures.

The phrase is usually focused on a familiar topic, knows how to attract and interest an unleashed audience. The most important features of his theater are the farce principle, rejection of psychologism, a combination of reality and science fiction, groteseness, buffoonery, high rhythm, the use of music and songs. The phrase can be fully appreciated only on stage.

One of the best, most finished and perfect comedies, which is more often performed in theaters of different countries, is the “random death of an anarchist” - a bright, stage, sparkling humor. In shape and genre, this is a farce, swift, sharp, brilliantly designed.