Biography Jean Corall

The French dancer and choreographer was the choreographer of the Paris Opera and, together with Jules Perra, created the famous romantic ballet Giselle. In years, he himself created five ballets in the court opera in Vienna, and in the year he was appointed chief dancer at the La Scala theater in Milan. He spoke in La Scala as the prime minister, appearing in ballets of the most famous Italian choreographers of that time, Salvatore Vigano, Gaetano Gioha and Pietro Anjiolini.

In the year, Korall was already dancing in Lisbon, and in him he returned to Milan, where he put four ballets.

Jean Corally Corall spent the rest of his career in Paris. In the year, he became a choreographer at the Port-Sen-Marten Theater, a commercial institution, which had a reputation for an alternative scene for dance. Until a year, he put 10 ballets, as well as a number of dancing for dramas. The most famous among his ballets were Mr. de Pursoniac, based on Moliere’s comedy, Gulliver Adaptation of Satira Swift Satira, “A visit to Bedlam”, in which the Charles-France Mazuria, the “La Neige”, who first used roller skates on stage, and Leocadie, played the comic dancer.

In which the Parisians first saw the virtuoso dancer Jules Perrault. In the year, Korall left Paris and worked in Vienna for a year, where in the year he set up a grandiose ballet “Hilderic, King of the Franks”. In the year, after the privatization of the Paris Opera as a result of the revolution of the year, Korally collaborated as choreographer Jean Louis Omer for up to a year.

His appointment coincided with the heyday of a romantic ballet. It was precisely the same that he began to invite to the main roles the unknown at that time, Maria Talloni, who danced exclusively in his father's ballets. Also, curious, four of the nine ballets that he set at that time were created not for Taloni, but for her great competitor Fanny Elsler, and two more were created for Carlotts Grizi.

For Elsler, he wrote the ballet La Tempete, it was after the Paris premiere of which the dancer became a celebrity. In the year, when Talloni and Elsler left Paris, Corall began to work with Grizi, creating a ballet, which is currently everywhere considered as a classic one, Giselle. Although its creation is usually attributed exclusively by Koralli, who officially oversaw the production, they actually worked with Jules Perrault, which was not mentioned, since he was not on the salary of the Paris Opera.