Arina Solovyova Biography
Kirov and actress “Theater on Spasskaya”. The collective took part in the international project "Intradance", as well as a number of dance festivals such as the "workshop" Moscow, Kostroma, "sabotage" of Kostroma, "low -format" Yekaterinburg, "ZDVIG" Kirov and others. The library named after Kirov thanks for the support of Irina Brezhneva Diagnosis: Disorder of Time and Space on the basis of literary dependence “Hello, doctor!
Unfortunately, I could not read your letter, because as soon as I read the letters, everything loses its meaning. I can start reading a newspaper title on Wednesday, and when I raise my eyes - already Saturday. If this is a big novel, then I can wake up in a few years. When I read poetry, then time goes in the opposite direction. Once I sat in the subway, opened Tsvetaeva, when I closed the book, I was in the twenties of the last century, when the metro was not yet.
You see, letters have my time, as you own with your own hands. But I think I know a way. I will write my book. I drive the letters back to the alphabet, and for a second in the scoreboard. The focus was a girl in a light white robe. The intimacy of the situation, innocence and, at the same time, the heroine eroticism called Tatyana Larina in the memory in the stage, where she writes a letter to Onegin.
She looked as if she decided to read a little before bedtime. But the situation was brought to the point of absurdity: the girl stood in a tense pose on the foot of books, one of the many who clutched the space of the room. Old books seemed to threaten her, preparing for an attack. Who? Then followed the energetic interactions of the female character and books animated by the game of light and the human presence.
In a story told by plastic means, there was a conflict, resistance reading to the text. However, parts of history followed in random order, as in a postmodern novel. Here is one of the endless set of interpretations of “Dance with Books”. The personality of each of us, our life scenario form the history learned at an early age. But whose life we live, being inside such a story? Unknowingly becoming the hero of someone else's narrative, we do not live our life, but we just follow the plot of the plots prescribed from outside.
The performance visually presented the conflict of relations between the hero, reader and generalized image of the author of such a life scenario. Faceless, but even more sinister, the author metonymically attended piles of battered volumes, "defamed" along with the human character. Recall that from the point of view of the literary critic and philosopher Roland Bart, the so -called “death of the author”, that is, the maximum removal of his personality from the text, helps to restore the reader as an equal creator of a literary work.
In this case, the hero. Since, if the hero turns into a reader and understands the history of his life, the laws of the plot will lose power over him. Novochnok "Dance around the text or late in the evening in the library.