Olga Ryzhova biography

Nadezhda Orkhova Olga Ryzhova The film "Service Romance" at the beginning of the film, we see that Olga is with a former classmate Novoseltsev in excellent friendly relations. She is warmly engaged in his cares, where to get money, and when their former classmate appeared Yuri Samokhvalov, he immediately personifies the “Assistant” archetype: she asks Yuri to become a train for Novoseltsev to the director to increase the service.

Samokhvalov easily agrees for a friend. However, Olga, when Samokhvalov appeared, falls into the situation worse. This handsome is her ex -boyfriend. It is not clear from the film how they parted. There was only one phrase from Samokhvalov’s mouth to Olga, when he, in response to her remarks about his wife’s skills, said: “And you are still the same! Maybe this is the reason for the decay of the Yuri-Olga pair.

Apparently, now she was trying to create the appearance of her superiority over the rival by exalting herself and humiliation of a competitor. It is only clear that she had long forgotten about the existence of Samokhvalov and was engaged in her difficult family concerns and there were many of them, when her institute friend appeared in the complete splendor of male self-realization: he came to the post of deputy director, came from abroad, married, disgracant, gallant.

Too much in one man so that the female heart does not melt. And she falls in love with him with renewed vigor for the second time. Well, with whom it does not happen, because the proverb says that love is evil but the fact that she ignores the signals that she sends to her, which did not expect such a turn of events, this is surprising. And, if you trace her relationship with Samokhvalov in her youth, then they ended in the archetype of seasonality on the Spring cycle.

As everyone later came out of this relationship, is unknown. It is clear that Samokhvalov no longer gives them special significance. So for him this long -standing history of relations is closed and he went through all the cycles of the archetype "Seasonality". Then he married, and he develops new completely happy relationships, by which he is in the Summer cycle on archetype "seasonality".

This suggests that the new relations of Olga and Yuri would be doomed to the mismatch of the archetypes "seasonality" of these two, if Samokhvalov even remembered the old hobby and would like to continue. In addition, she is trying to move from incomplete gestalt to the third and second relations to the third, which does not condemn new relations obviously to failure, provided even the consent of Samokhvalov.

She behaves like a person who, in an archetype, is a “little girl” on the throne with high self -esteem, whose whims she implicitly performs. No reasoning that she is married, that she has a child; That self-wrapping is married and does not want to maintain some cupids with her. In addition, she has a family, that is, relationships that have already been built, although perhaps not on love, if she forgets about them so easily.

Maybe because of this so soon she tries to flirt with Samokhvalov. Only now the trouble is that there is no one to build a new relationship with - there are no couples. She says to Novoseltsev: - And you know, he has not changed at all! Tola, and you tell me honestly, but how am I? Although Novoselsev could only express his opinion this time, he did not say that Samokhvalov responded about her: “What is doing time with people?

Do you remember what was she? Anatoly inspired by this answer, Olga begins to flirt with Samokhvalov and does not notice his soft attempts to slow down. At the party at Yuri, the house herself begs for a dance, he lowers his wife with a remark that the salad is prepared worse than the Salad Ryzhov herself makes; Almost lies on Samokhvalovo during the dance, not paying attention to his wife.

He in every possible way evades her annoying attempts to appoint him a date - this signal is also incomprehensible to Olga. Then, when she has no way left to meet with him, she begins to write letters to him and passes them through the secretary who reads them and then notifies the entire team of statistical management. The choice of a person for transmitting letters is very doubtful.

Does an adult woman not understand that her secrets cannot be trusted to third parties? The story of letters emerges for public discussion and compromises Samokhvalov. He falls into despair from this situation: after all, it hits by his impeccable reputation, at his desire to strengthen at a new place of work and can damage his family relations. In addition, he loses his friend in the person of Novoseltsev.

Nobody sympathizes with Samokhvalov in this situation. Even if he had not contacted the trade union committee, everyone knew about these letters. It was intentionally that Olga did this or for the unreason - it is not possible to establish it possible for the information that is in the film. And to make some assumptions or assumptions is an incorrect approach.

When Olga understands that her attempt to renew the relationship was unsuccessful, she is experiencing a very strong injection of pain. So she entered the energy of the archetype "Body of the pain" and reads piercing poems: our whole role is only my role!I lost in her cruelly! All our pain is only my pain. About how much pain, how much pain! These verses definitely reflect that she played for herself and for Samokhvalova, and that it was only her game.

And what can the "little girl" can do, although she is on the throne of the personality state of Ryzhova? We read Bern: "Entertainment and games are a substitution of real life and real intimacy. And yet:" Using the words "Game" should not be misleading. As indicated earlier, games do not necessarily give pleasure or joy to the players. "In our times, these attempts to attract the attention of a married man would be interpreted as harassment of Harrasment and would be subject to condemnation, at least.