Margarita through the biography

Quotes the story of the character genius of literature Mikhail Afanasevich Bulgakov managed to surprise the reading audience: more than seventy years have passed since the writer’s death, but literary critics still cannot reveal the secret of the main thought of the mystical work called “Master and Margarita”. As for this novel, many hypotheses and legends go, and fans of Bulgakov’s work seek parallels in his immortal creation, which was written during the years of severe censorship.

The novel “Master and Margarita” Dmitry Bykov called the book of Mikhail Afanasevich Afanasyevich Assy Bulletin, which was written for Joseph Stalin, while others say that the work about Woland and his retinue is the Apogee of Bulgakov’s work. In addition, some, not paying attention to the subtleties of the confrontation of good and evil, read the novel just to follow the romantic love line between the master and Margarita.

The history of the creation Mikhail Afanasevich was a mysterious person. He, like Anton Chekhov, considered medicine to his wife and was considered a skilled doctor. It would seem that the doctor should think rationally, but Bulgakov endowed his fundamental work with mysticism and damn. Mikhail Bulgakov in Master and Margarita, readers learn about Bengalsky’s torn head, a huge black cat, who pays in a tram for travel and repaired the primus, about the tricks of Koroviev, without a twinge of the conscience of the soaring in the air, as well as about two higher authorities and their leaders: Voland and Yeshua Ga-notskri.

Was there everything that happened in the vicinity of the Patriarchals, in fact? Or is it just a legend, and the hypnotist did not exist at all? But not only this question worries lovers of the devilish novel. Literary scholars agree that inspiration visited the writer in the years when the first draft sketches were made. It is noteworthy that in the initial plot there was no love line of the creator of the story about the prosecutor of Judea Pontius Pilate and his lover, who carried “disgusting yellow flowers”.

Most of the manuscript was dedicated to the embodiment of the evil spirit to Woland. Bulgakov meticulously collected information about the minister of hell, notes were stored in his room, which described the evil spirits. And no matter how the author claims that the protagonist did not have a prototype in the black robe, the researchers find echoes of Mephistopheles from the “Faust” of Goethe in the hypnotist.

And the genius of literature did not hide the fact that he adored the Gothic work of his colleague in the workshop. Margarita from the Faust Goethe at Margarita, who sold the soul to the devil and turned into a witch, also existed a real prototype. The writer first called the master Faust, but then refused the idea of ​​indicating references to the Getevsky work.

However, the name of the main character did not change. The author studied the biographies of Margarita of Navarre and Margarita de Valois. Navarre was the sister of the French king Francis I, and also became the first writer in the country of Cezanne and Parmesan. The gifted queen attracted writers of all the hypostases pursued by the Church, and the works of this woman reflected a religious and ethnic search and dry mysticism.

But her namesake de Valois was remembered by historians impudent in love and capable of desperate deed of young ladies. Margarita Navarra and Margarita de Valois, most fans of Bulgakov still agree that the third wife of the writer, Elena Sergeevna, who he affectionately called “My Margarita”, served as the prototype of Margarita. And even in the appearance of this woman and literary heroine there are common details, for example, black hair color.

In addition, contemporaries said that Elena Bulgakova wore a hat with a black veil and an elegant coat, and she also had a “squinting eye cut”, while in Margarita’s novel a “witch squeezing one eye”. Elena Sergeevna Bulgakova in the year an unforeseen event happened, which forced the master of the pen to throw the drafts of the novel under the working name “The hoof of the engineer” in the oven.

The fact is that in a letter from the Glavrepertkom it was said that his play “Basal of the Holy” is not subject to representation in the theater. By a happy coincidence, most of the sheets with the text of the novel survived. Work on the work continued until the death of the writer, but still, “Master and Margarita” belongs to incomplete works. Since in the year, Mikhail Afanasevich found a kidney disease, he turned out to be chained to bed.

Even being in such a deplorable situation, the writer dictated his main work Elena Sergeyevna, who recorded every word of her lover. The first complete edition of the book, edited by the widow of Bulgakov, was published in Paris in Paris. Residents of the Soviet Union saw a novel without bills only in the year. Biography and plot detailed biography of Margarita Nikolaevna, who denounced the cowardice of literary critics, is shrouded in secret.

It is only known that she is a beautiful and courageous woman.The main character was a childless housewife and lived in the center of Moscow in the mansion of the rich husband-engineer, whom she did not love, but treated him with respect. The thirty -year -old young lady did not know the trouble and worries, because Natasha’s servant worked in the house. Although Margarita Nikolaevna did not need money, she was still unhappy, since loneliness lurked in her soul.

The master and Margarita but at one point in Margarita changed: walking along Tversky Lane in that very black coat and with yellow flowers in her hands, she met a stranger with whom she exchanged a couple of phrases. The master turned out to be passers-by, who later told about these events to his interlocutor Ivan the homeless: “Love jumped out in front of us, as the killer in the lane jumps out of the ground, and struck us at once both!

The woman was ready to exchange her mansion for the basement, where the writer was huddled, describing the events taking place in Yershalaim. If Margarita Roman brought joy, then the master is only sorrow. When the writer presented his creation to the court of literary diaspora, a flurry of criticism in literary newspapers fell upon the Nenes -Follow. Margarita was the only person who supported the master: when he, desperate, threw the novel into the furnace, she saved the manuscripts from the fire.

Margarita and Azazello once the happiness of Margarita Nikolaevna ended because her beloved unexpectedly disappeared. Then the woman in despair declares that she is ready to sell her soul to the devil to find out whether the master is alive or rests in the ground. The thoughts of the unfortunate lady who was exhausted by the spiritual torment were heard. A member of the retinue of Woland Azazello burst into the life of Margarita Nikolaevna and offered her a profitable contract.

The woman acquired a miraculous cream that, in an instant, turned her into a real witch flying on a broomstick. Now the goal of Margarita Nikolaevna was to fly to the Satan ball and fulfill the “Contract terms”. In the climax of the novel, the characteristic of Margarita is revealed: in the dark hall with a large fireplace, she, a naked owner of the holiday for the dead, should smile at arrivals from hell - betrayals, killers, poisoners, counterfeiters and other "distinguished" personalities.

Margarita and Woland are resolved here the issue of mercy. One has only to recall how Margarita forgave Frida, who killed her newborn child born after rape. This twenty -year -old girl, the punisher every morning laid a handkerchief on the table, with which Frida strangled the baby, and the beloved master gave the unhappy peace. The Queen of Ball fulfilled her promise, and Woland cited masters from a psychiatric clinic.

At the end of the novel, the master, desperate to find recognition, dies. Margarita also dies, who cannot live without a loved one. But the book has a happy ending: the writer will receive the long -awaited peace, and Margarita - the opportunity to see his beloved in the afterlife. However, Bulgakov does not give the right answers to the questions remaining with the readers.

The film adaptation and actresses the fundamental work of Mikhail Bulgakov did not pass by eminent directors. True, as in the book, on the set, for some mystical circumstances, the “devilry” was happening: either the budget simply did not have enough, then party officials stopped filmmakers with the word “impossible”, then the trials began. In addition, according to rumors, 17 actors who played in films about the Master and Margarita died of terrible diseases or under mysterious circumstances.

Mimzi Farmer in the role of Margarita, therefore, there is a legend in cinematic circles that the writer was against the transfer of “Master and Margarita” to TV screens, and a list of actresses who tried on the image of Margarita is not great. However, there are several film adaptations, where the topic of love is in the focus of attention. The first to reincarnate into the beloved master was Mimzi Farmer, who played in the Italian film of the year.

This film is different from the original Bulgakov, although it was awarded remarkable cinema awards. The appearance of Mimzi was far from the one described by Mikhail Afanasevich, for instead of a witch brunette, the audience saw a pretty blonde who worked on the set along with Loenzzi and Alena Kyuni. Anna Dymna, in the role of Margarita, in the year, the Polish director Matsu Voitishko, who was awarded the positive reviews of the audience and fans of Mikhail Afanasevich, took up the book of the Russian writer, because his mini-series practically does not differ from the book.

This time, Anna Dymne performed in the guise of the queen of Ball. Anastasia Vertinskaya in the role of Margarita in the year, his vision of the Bulgakov novel was presented by Yuri Kara, but the film was released only in the year because of the disagreement of the director and producers. Since the production budget was not enough, this picture does not differ in special effects, but the cast is beyond praise.

The role of Margarita was played by Anastasia Vertinskaya, who worked on the same site with Viktor Rakov, Valentin Gaft, Leonid Kuravlev, Igor Vernik and other stars of the cinema firmament. In the year of avid film addicts, Vladimir Bortko pleased the series of the same name, who tried to convey the original plot. Even if not all actors look like Bulgakov’s literary descriptions, but they perfectly coped with their roles.

Isabelle Adjani in the image of Margarita says that mysticism in the book “Master and Margarita” is present for a reason. The fact is that Mikhail Afanasevich was fond of occultism. However, among writers, classes of this kind do not seem amazing. For example, Arthur Conan Doyle sinned with a craving for spiritualism, and Jack London was brought up by a mother who communicated with perfume.

Mikhail Afanasevich passionately wanted to print his novel, "to know." This was one of the dying desires of the author. Quotes “Nevertheless, and in pleasure you need to be at least a little prudent ...” “... sadness in front of a long road. Is it not true, Messir, she is quite natural, even when a person knows that at the end of this road he is waiting for happiness? ..