Biography of Belyavskaya Svetlana

Sveta is an unfamiliar “star” now it seems strange, but half a month ago the name of Svetlana Belyavskaya would not tell me anything. But, like most citizens, at least occasionally including radio and TV, I am familiar with me and, on occasion, pop -ups even revolve in my head: now it seems strange, but half a month ago the name of Svetlana Belyavskaya would not tell me anything.

But, like most citizens, at least occasionally including radio and TV, I am familiar and, on occasion, pop -ups even revolve in my head: the “gardener” isp. Nikolaev, "Heavenly forces" isp. Basque, "costume" Spanish. Rybin and the Dun group, “blessing this evening” isp. Nikolaev, "you are someone else's" Spanish. And, meanwhile, the author of the words that each of these songs is written, is precisely she - Svetlana Belyavskaya, the Perm poet, and now - and the organizer of charitable events for people with disabilities.

How so? Why, with such a powerful popularity of her song and poetic brainchilds, the name of their creator at the general public is still not in hearing? Larchik, as it turned out in our conversation with Svetlana, opens simply: to declare neither from the stage or on the air, on whose words the song is written, be it at least three times a hit in a round -the -clock rotation, in essence, the state, anonymity, the anonymity of the “works of low uniforms” by which the songs are painfully beaten by both the authors of words and music.

In addition to infringement of “reputation rights”, concealing authorship entails very tangible financial losses - a chronic underplacement of the fee. Anyway, judging by the financial position of the poet -songwriter Svetlana Belyavskaya, the current system of “accounting for the performance of songs” is completely devoid of transparency - but she is full of casuistry and riddles so, according to the law, “copyright” should be paid for each performance of each song in each, separately taken, public place.

However, judging by the printouts of the “deciphering of the author’s fee”, which RAO “Drazerno” provided Belyavskaya Svetlana Viktorovna, for the period from January to May s. In conjunction, in five months, the “stunning” amount “sprinkled” to her - as much as rubles. However, the poetess is ordered to “wait” with this money - its turn is suitable when RAO pays with more “promoted” authors.

However, Svetlana Belyavskaya has relative obscurity, she suspects, and another, no less regrettable, reason: the Perm media not all, of course, but the tendency, ceasing to be in market conditions and even seem! Although, it would seem to you - “piece goods”: a countrywoman is a co -author of numerous hits who have received popular fame! In addition, a person with an outstanding fate, capable of becoming especially for many - for children “with disabilities” an example to follow.

Yes, for such a heroine, it would seem, you need to fight in order to get it to the pages of your media! AN, no, local publications are much more hunting today about those whose contribution to the socio-cultural “piggy bank”, to put it mildly, is doubtful, but the financial in the “piggy bank” of this media is pleasantly weighing. You won’t particularly do it on the Belyavskaya gesheft: she refuses to pay “for promotion” on her native land - this is her credo through thorns - to the stars of the realized talents - many times less.

The talents that became famous are units. Why so? Like it or not, in the story of Svetlana Belyavskaya without a lyrical retreat “On the fate of talent in Russia”, you can’t do it - it’s very painful! According to the “lines of life” of the poetess, it is clear how powerful “appendage” the Russian talent should be equipped and the Talent -Nemoskvich, devoid of a “preferential start”, in her opinion, is a hundred strata!

This "appendage" is a dream, reinforced by the will.

She is an armor that gives the “talent for the carrier” the necessary and is needed, as a rule, a huge margin of strength. The will to “Sales of Dreams” gives the “talent” unique ability - to see the harsh world differently than his “non -talent” fellow citizens. Allowing the “trifles of everyday life and being”, including moral, in the opinion of other people, “humiliation”, she gives him a real chance not only to survive in this world, but also, if he is lucky, to succeed, Svetlanin “Happy Case” was in no hurry: being, apparently, “a marathon”, and not a “sprinter”, he forced himself to wait as long as hesitations for thirteen years Sveta, drawn by the desire that the songs on her poems “Sang the whole country” began to “act resolutely” in the tender, school, age - it was then that her subsequently “sorties” became regular into the capital began.

The girl’s goal was simple, but complicated: having made his way behind the scenes of the concert hall, try to hand over a notebook with their “Virshas” All -Union Popular Singers chosen by her “on TV”. And, first of all, Igor Nikolaev, whose song “Mill” very much fell on her soul in those years, I spent at the station, and in the morning “for hunting”!

Sometimes I had to freeze in anticipation of the “my” artist for several hours by the way, the experience of “catching stars” was not too much, however, there was already a successful girl by that time.The first "her" star was Yuri Malikov, who visited Perm in the autumn of the distant year. Then, she recalls, pushing the notebook with her verses, the singer smiled encouragingly and remarked: “Write more, girl, - you will definitely succeed!

Sveta then, of course, was upset, but promised to herself: “Someday, my songs will sing on the best scenes of the country! The cultural life in the Soviet Perm beat, by the way, the key - the stars of the first magnitude gathered on the tour: “Funny guys”, “Singing hearts”, “Leisya, song! Svetlana vigilantly followed the posters, trying not to miss a single concert.

She even developed a cunning “know-how”: how, having dodged the controllers, Polovchee to penetrate the scenes. Strange as it may seem, many texts have succeeded in such a makar - however, not a single proposal “On Cooperation” for Sim, alas, was followed by the “Perm” period of “catching stars” the Moscow period of Moscow. In the capital, the chances of luck have grown immeasurably.

True, now the task of transferring the celebrities of their poetry was complicated by the harsh “prose of life” - in the form of lack of housing. For lack of Moscow relatives, I often had to spend the night at the station, putting a weighty bag under my head about how a fragile girl dragged this heaviness on herself - I am a separate one, I apologize for the pun, the song!

And at dawn, hastily putting herself in order as far as the station “amenities” allowed, Sveta began to search for “my” star, this “Moscow period” had, by the way, his background: in the program “Morning Star” the young, not quite promoted musician Igor Nikolaev once performed the song “The Mill”. The words and melody of this song before that the girl lay on the soul that she, not yet knowing the name of the singer, acutely felt: so he, “her” composer!

That's who will write the first song to her poems! .. Intuition did not let the girl not - after a while, that was exactly what trembling in the cold March wind, Svetlana Karaul Nikolaev at the Olympic concert hall. The guard for a long time - three hours. And when, desperate, she was about to leave the useless, as it seemed to her, “post”, she suddenly saw: he came out of the car - “her” Igor their conversation lasted no more than a minute, but the first words of the idol, she recalls, bribed her simplicity: “Happy holiday, girl!

And in response: “Sorry, girl, but now I can’t say - you wait for me, well, of course, she waited for him, who would doubt it. Although Svetlana recalls, the hope for the “repeated” return of Igor melted with every half an hour, and it almost melted quite that, when - contrary to her fears - the musician nevertheless returned, the young poetess was able to repeat in the cold in the cold: “I am Sveta from Perm, I want to offer you my poems and still did not disappear - the idol took the notebook!

Having run his eyes to uneven lines, he issued a verdict: “I like that you feel the image. It is possible that I could write a song to your poems. But not on these - nothing suits me. Send more - let's see the words of the musician gave Svetlana forces - the girl returned to Perm inspired. At home, a bunch of records, I discovered the poem “Gardener” - “Image” in it, as Igor taught, “shone” with might and main!

Her next “output” in Moscow happened about a month later. To her chagrin, the musician did not consider the clock before meeting with the newly -haired “author” - he simply but, fortunately, he remembered. And recalling, an hour and a half, no less, he gave the young poetess the “master class”: Kromsal and crossed out its lines, saying: “Now, Svetula, I will teach you how to write songs!

.. This“ Master class ”did not go to me-I recognized several important things. For example, that the future hit should have a bright name and - be sure! And it is also necessary that, listening to the song, the viewer could draw a mental image for himself - having finished the “Parsing of flights”, Igor gave her “Homework” - write the third verse for the song “Gardener”.

And - it rushed! Sveta came up seriously, and soon the telegrams flew to Moscow in the name of Nikolaev - with the options for the third verse, however, the reverse flow of the mail was not observed - the lamps of the message remained unanswered therefore, on her next visit to Moscow, she prepared to hear the “bitter truth” - about the fate of the “failed”, as she believed, songs. It was important for the girl to find out this “truth” from the first lips, and Sveta dared to “unthinkable” - appeared home to Nikolaev.

The door was opened by the then wife of the singer - Lena. At first, the light was taken for an annoying fan, however, having figured out what was the matter, they invited him to the house. There, from Lena, not believing her ears, Svetlana found out that the song was on her words, of a miracle, nevertheless was written! ..She recalls: having returned home and stitting there the young “co -author”, Nikolaev was not surprised at all, but pleasantly surprised her - she put the tape recorder of their joint “brainchild”, but “she heard almost nothing”: the body could not cope with the happiness that suddenly surged at him - she did not understand the fog of her fortune, and did not understand everything: everything was inhibited, everything was slowing down.

“Well, why are you silent? Tell me at least something! .. Then, having guessed what was the matter, he laughed: “What, after each new song, will you need to call an ambulance? And only after the third loss of the cherished film came to her that her dream slowly seemed to begin to come true by the way, such a disproportionate, “half -fainting” - the reaction to success accompanied Belyavskaya almost always.

Once, having first heard a song to her poems according to the All-Union radio, she really “faded into a fainting”! And the friends who were nearby at that moment had to - Nikolaev looked in the water!